EPiSODE 103.

“If I was one of your asshole cronies,
you'd be spread-eagled on your desk to do this for me!”

In 1985, William "Hurricane Billy" Friedkin was back on the streets with the savage and illusive policier To Live and Die in L.A. Filmed with gritty precision, photographed in painterly textures by the immortal Robby Müller and encompassing one scorcher of an extended city-wide high-speed pursuit that leaves even the celebrated chase from The French Connection in the dust, the movie electrified the screen yet couldn't produce a spark critically or commercially. It has since been rightfully recognized as a classic, much to the satisfaction of hosts Christopher Funderburg and John Cribbs who sit down to review the fatal errors of Richard Chance, Rick Masters and John Vukovich on the blood-red scorched inland valleys of the City of Angels.

A would-be presidential assassin exploding midair, bungee jumping off the Vincent Thomas Bridge, the intricate art of creating "funny money," a foot chase at an airport terminal, canvases set ablaze, kabuki-inspired performance artists, dumpster death, strip club stoolies, botched stakeouts, prison yard hits, a sleazy lawyer who work both sides, a speedy escape down a wrong way street, Steve friggin' James - there are a million reasons to love this movie.

Tap here for {APPLE PODCASTS}
Listen on {SPOTiFY}
Blap this for {SOUNDCLOUD}
Click here for {TWITTER}
Join us on {PATREON}